Wind Follower is Carole McDonnell’s first novel, but prior to this book, she was already established as a reviewer and essayist. She has also written poetry and devotional pieces, mainly for Christian journals. Her Christian faith has also informed her speculative fiction work, and this is very apparent in Wind Follower.

The story is an adventure-romance, set in a richly imagined world. Boy (Loic) meets girl (Satha), boy loses girl, boy goes to ends of earth to find girl, and finds his own true purpose en route. The setting is a kind of alternate Africa, or perhaps it stands for any country ripe for colonialism. McDonnell has analogously incorporated all the earth’s races into her continent, representing them by the very dark Theseni; the lighter coloured Ibeni, the slant-eyed, yet sometimes red-headed Doreni and threatening all of them, the invading Angleni.

The Juno imprint is noted for its strong female lead characters, and Satha, the heroine of Wind Follower, carries the role well. She has to deal with more perils than Pauline, more trials than Job: in fact at one point she is so obviously an avatar of Hagar, Abraham’s concubine, that we are looking for someone to play the role of Isaac. But although the book has a curiously Old Testament feel to it, the parallels are not distinct: McDonnell’s references gently investigate possibilities and move on, as we follow the journeys of Loic and Satha through alternating first person chapters.

Mc Donnell is a fine writer, and Wind Follower leads us to expect even better things from her in the future. The story is burdened, however, by a certain falling down between two stools – or actually in the middle of a circle of stools. We have a classic epic journey, involving a romance and a coming-of-age story; an equally classic captivity scenario, in which the enslaved person survives through her own fortitude and resilience, and a rather self-consciously overlaid effort to show that faith conquers all. At the end, we learn that the Tribes never succeeded in uniting against the Angleni and remained the underdogs, yet they rejoice that the Angleni brought their own true religion, encapsulated in the Lost Book, back to them.

And here's the problem. What readership is Wind Follower aimed at? Many Christians, black and white, are likely to balk at a theology that is very like that of Christianity, yet does not follow it nearly closely enough for the tastes of fundamentalists. On the other hand, many fantasy readers of whatever ancestry will reject the book’s overtly Christian allegory, and some black readers who are not Christians may be dismayed at the oblique suggestion, normally propagated only by the conquerors, that as long as invasion brings True Religion it is acceptable. Yet still other readers, not all of them Christian, will feel uncomfortable at the idea of spreading a what is supposed to be a religion of peace through invasion and, the conquered people having accepted that religion’s tenets, ignoring them in order to rebel against the invaders. Like the Old Testament, Wind Follower abounds in mixed messages, and this is why it falls in the middle of those hypothetical stools.

Yet there is probably a niche market for books like this one, and it is, I would venture, among Christians who are not fundamentalists and who are willing to consider that perhaps parables can be spoken in the language of fantasy as well as that of religion. A tall order, perhaps, but I hope McDonnell finds this readership. An author who can produce a work such as Wind Follower deserves to have an extensive circulation.

McDonnell does not appear to have a website (although she runs a blog at http://carolemcdonnell.blogspot.com/) and her work will not be easy to find in Australia. However, Wind Follower can be found for sale at online shops.